paraminttea:

poppypicklesticks:

killbenedictcumberbatch:

WHY IS A CIS MAN GETTING AN AWARD FOR PLAYING A TRANS WOMAN

because that’s what ACTING is you fucking stupid child 

this argument will be valid when cis women are regularly portrayed by men, but as of right now what it really means is people think trans women’s birth assignment is the most important factor and their genders are just an outfit

because context fucking matters

theyogamentor:

this looks like a yummy twist
brynnrumfallo:
tattooedpotato:

Mr. B rehearsing Jerome Robbins and Maria Tallchief in Prodigal Son, 1950.
Photo: Walter E. Owen

"

You’re permanently derailed. It’s through discipline and tremendous disappointment and failure that you arrive at what it is you must paint.

[…]

For months, the first paintings don’t mean anything—nothing. But you have to keep going, despite all kinds of disappointments.

"

- A rare interview with the reclusive and brilliant Agnes Martin, discussing art, failure, and the root of happiness. (via explore-blog)

vaganja:

womyneyez:

fuckyeahlavernecox:

FREE CeCe trailer

I lost my shit, I think maybe someone is chopping onions near me

tears. i can’t wait to watch the whole thing.

THIS IS SO IMPORTANT.
IF YALL DONT SIGNAL BOOST THE FUCK OUT OF THIS.

(via sexxxisbeautiful)

russianpointegirl:

jrusevich:

Nadja Saidakova
Photo: E. Nawrath

me crying now
randombeautysls:

elizabeth homes photography
yoiness:

 French dancer Florence Clerc works with choreographer Rudolf Nureyev at New York’s Metropolitan Opera 1986.
 Photographer: Pierre Perrin
1950sunlimited:

Young couple on the dance floor, 1950s

dancenthusiast:

This week on The Dance Enthusiast Martha Graham Dancers dish on Graham. First two photos copyrighted to  COSTAS, 3rd and 5th photo copyrighted to Christopher Jones and 4th photo Hibbard Nash Photography.  For more passionate movement and thoughts on mythology old and new, listen to the dancers that make Graham happen on The Dance Enthusiast  

(via dancenthusiast)